Bored Panda Interview (2023)

Your creative challenge 'Stop, Think, Make' is a fascinating initiative that encourages finding art in everyday situations. Could you share a particularly memorable or surprising moment when you transformed a mundane situation into a captivating illustration or image?
There are so many occasions that I remember as a moment where I thought: “Let’s see how this could work as a still life image” while going to the shops or getting ready for the day. These out-of-the-blue moments are hard to explain and I am grateful every time it happens. My favourite pieces are the ones that are results from a truly spontaneous moment, the watch made of an apple or the ironing man. The more conceptual images could be described as a result of a chain-reaction of what-if thoughts: What if Ironman was called Ironingman? What if Ironman pushed a giant iron to iron clothes? 

Your work often revolves around injecting whimsy and surprise into ordinary objects and scenes. What draws you to this concept, and how do you go about identifying the potential for magic in everyday life?
It is a great way to break up the day by challenging your mind in an artistic way. I like to turn my spontaneous daydream-insights into reality the same way writers bring their thoughts to paper. I have always liked the idea of a creative diary or documentation that creates a body of work over time. Some of these ideas come from conversations that I have with friends or family and some are more visual insights. Allowing yourself to let your mind drift might be the most important aspect for random and spontaneous creativity. When we focus too much on something we do not allow our brain to consider all the options and possibilities that are around us. As a young child, I remember my teacher calling me a daydreamer. I think this might explain everything!

Transitioning from Munich to Melbourne and Canberra must have had an impact on your artistic journey. How has the change in environment and culture influenced your creative process and the themes you explore in your art?
Coming to a new country and starting a new life comes with a range of challenges. Everything feels different and it was hard in the beginning to find my feet. It is as if the brain has to work in overdrive-mode, speaking in a different language all day long and not having many friends as a new resident. This new situation had a direct impact on my life: You don’t look at things the same way as you used to. I lived in Melbourne before I moved to Canberra where I joined a photography meet-up group. I enjoyed taking pictures of pretty much everything and it was a great way to document and explore my new life by taking pictures. It was also the time when the first image-based social media platforms, Flickr and Instagram offered a huge amount of unseen inspiration created by other creatives. While the majority of people used to share images of their latest meals or cars, photographers and artists began to share their personal art projects on social media. It was exciting to see how quick and accessible art and creativity has become through social media and it also allowed me to inspire other artists. Having moved to a very distant place like Australia made me want to connect with the rest of the world in a meaningful way. 

The combination of illustration, photography, and graphic design in your work showcases a diverse range of skills. Could you talk about the interplay between these mediums and how they contribute to the overall narrative of your pieces?
I have always struggled to consider myself as an artist who works with only one medium or technique. I like to focus on ideas and then see which style or method could work best. In the past a lot of graphic design styles have been inspired by art, so I asked myself what if graphic design could influence my art? I have worked as a designer for more than 15 years. It is interesting for me to experiment with my skillset as a designer and turn design into art. I like to include modern and digital elements as they are part of our digital everyday lives.

  
Many artists struggle with the balance between personal projects and commission-based work. How do you manage to maintain the spirit of finding magic in everyday situations when working on commissioned pieces? Are there specific strategies you employ to ensure your personal touch remains intact?
It is important for me to be able to make time for personal work even when there is very little time left due to deadlines and everyday tasks, household etc. I found it helpful to allocate small junks of time as my me-time. This could be a small art project or time to think about ideas. Even if it is only 15 minutes per day, it will ensure that I will achieve at least something art-related by the end of the week. It does not have to be completed all in one day.
Clients
Time Magazine
Money Magazine
The Wall Street Journal
The Washington Post
Real Simple Magazine
AARP Magazine
Chicago Booth Review
The Boston Globe Magazine
The Guardian
The Globe and Mail
New Scientist Magazine
Consumer Reports
Adweek
SELF Magazine
Experience Life Magazine
Cincinnati Magazine
Prevention Magazine
Het Financieele Dagblad
Charles Schwab
Australian House & Garden Magazine
INTHEBLACK Magazine
The Sydney Morning Herald
AFR BOSS Magazine
FM Magazine/CIMA
Toyota
Pixar
Havas
Bankwest
Banca Valsabbina
Woolworths Australia
Headspace Australia
Monini Australia
Mutti Australia
Real Blend
Joe Mungovan
Kipseli Architects

Features
Avant Arte, Art in the Everyday, 2024
Suboart Magazine, 2023
Bored Banda, Magic Everywhere, 2023
Design Boom, What makes us feel good?, 2022
Finalist, Bluethumb Art Prize, 2021
Van Gogh Museum, Netherlands, 2016
Nefele Festival, Greece, 2016
BODY Exhibition, Poland, 2016
Design Indaba, Reverse Design, 2016

Press
The Independent
Huffington Post
CNN
Il Post
Adobe
Pantone
Condé Nast Traveler Magazine
Business Punk Magazine
Mashable
msn
BuzzFeed
designboom
Design TAXI
TrendHunter
Design You Trust
Inspiration Grid
Abduzeedo
Designspiration
Illusion Scene 360
Design Indaba
Ignant
Fubiz
Bored Panda
BoingBoing
Mamamia
Moustache Magazine
FFFFOUND!
We Heart It
Visual News
Purple Leaves
Amselcom
SMTHNG

Acknowledgement of Country
I acknowledge the Ngunnawal people who are the traditional custodians of this land and pay respect to the Elders of the Ngunnawal Nation both past and present. I extend this respect to all Aboriginal and Torres Strait Islander peoples.

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